![]() Publications & Research Recent Chapter and Journal Publications Book Chapters: Picart, Caroline Joan (Kay). “Creating DanceSport Champions: Behind the Scenes Beyond 'Dancing with the Stars'," Sexual Sport Rhetoric, Linda K. Fuller, Ed. New York: Peter Lang Publishing Group, forthcoming, 2009. Browning, John, and Caroline Joan (Kay) Picart. “General Overview: Documenting Dracula and Global Identities in Film, Anime, and Li terature,” Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race and Culture. John Edgar Browning and Caroline Joan (Kay) Picart, Eds. (with an Introduction by David J. Skal). Scarecrow Press, forthcoming, 2009. Picart, Caroline Joan (Kay) and Cecil Greek. “When Women Become Serial Killers: Undead Imagery in the Cinematic Portrait of Aileen Wuornos,” Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race and Culture. John Edgar Browning and Caroline Joan (Kay) Picart, Eds. (with an Introduction by David J. Skal). Scarecrow Press, forthcoming, 2009. Picart, Caroline Joan (Kay) and Cecil Greek. “The Compulsions of Real/Reel Serial Killers and Vampires: Toward a Gothic Criminology,” Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race and Culture. John Edgar Browning and Caroline Joan (Kay) Picart, Eds. (with an Introduction by David J. Skal). Scarecrow Press, forthcoming, 2009. Picart, Caroline J. S., and Frank, David. "Horror and the Holocaust: Genre Elements in Schindler's List and Psycho." The Horror Film, ed. Stephen Prince. New Brunswick, NJ: Rutgers University Press, 2004, 206–223. Nominated for the 2005 National Communication Association Best Essay/Book in Visual Communication. Picart, Caroline J.S. "Beyond Good and Evil: The Black-White Divide in Critical Race Theory," Human Rights Review, 8:3 (April-June 2007): 221-228. Picart, Caroline J.S. "Crime and the Gothic: Sexualizing Serial Killers," Journal of Criminal Justice and Popular Culture, 13: 1 (Spring 2006): 1-18. Picart, C.J.S. and McKahan, J.G., "Introduction to Volume II: 'Propaganda' and 'Fact,'" The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004). Picart, C.J.S., "Introduction," The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004). Picart, C.J.S. and McKahan, J.G., "Visualizing the Holocaust in Gothic Terms: The Ideology of U.S. Signal Corps Cinematography," The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004). Picart, C.J.S. and McKahan, J.G., "From Isolationism to Interventionism: The Local and the Global in Hollywood Anti-Nazi Films," The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004). Picart, C.J.S. and Surrency, J.K. "Documenting the DP Camp," The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004). Picart, C.J.S. and Perrine, J. "Laughter, Terror and Revolt in Three Holocaust Films," The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004). Picart, C.J.S. and Frank, D. "Schindler's List: History, Horror and the Monstrous," The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004). Picart, C.J.S. and McKahan, J.G. "Sexuality, Power, and Holocaust Film Spectatorship in Apt Pupil," The Holocaust Film Sourcebook, ed. Caroline J.S. Picart (Praeger, 2004). Picart, C.J.S. and Frank, D. "Horror and the Holocaust: Genre Elements in Schindler's List and Psycho," The Horror Film, ed. Stephen Prince (Rutgers University Press, 2003). Houck, Davis and Caroline J.S. Picart. "Opening the Text: Reading Gender, Christianity, and American Intervention in Deliverance," The Terministic Screen: Rhetorical Perspectives on Film, ed. David Blakesley (Southern Illinois University Press, 2002). Review: http://acjournal.org/holdings/vol6/iss4/reviews/blakesley.htm Picart, Caroline J.S. "Hammer and Universal Films," A Frankenstein Film Sourcebook, eds. Caroline J.S. Picart, Frank Smoot and Jayne Blodgett Westport, CT and London, England: Greenwood, 2001, pp. 140-172. Picart, Caroline J.S. "Women in Frankenstein Films," A Frankenstein Film Sourcebook, eds. Caroline J.S. Picart, Frank Smoot and Jayne Blodgett Westport, CT and London, England: Greenwood, 2001, pp. 295-308. Picart, Caroline J.S. "Introduction; Frankenstein's Enduring Resurrections," A Frankenstein Film Sourcebook, eds. Caroline J.S. Picart, Frank Smoot and Jayne Blodgett Westport, CT and London, England: Greenwood, 2001, pp. xi-xv. Picart, Caroline J.S. "Living the Hyphenated Edge: Autoethnography, Hybridity and Aesthetics," Ethnographically Speaking: Autoethnography, Literature, Aesthetics, eds. Carolyn Ellis and Art Bochner (Rowman and Littlefield, 2002). Picart, Caroline J.S. "Working at the Limen: Repositioning Authority in Science and Art," A New Generation of Feminist Science Studies, eds. Maralee Mayberry, Banu Subramaniam and Lisa Weasel. New York and London: Routledge, 2001 pp. 204-215. Picart, Caroline J.S. : "Through the Lens of an Insider-Outsider: Gender, Race and (Self)Representation in Science," A New Generation of Feminist Science Studies, eds. Maralee Mayberry, Banu Subramaniam and Lisa Weasel. New York and London: Routledge, 2001 pp. 42-47. Picart, Caroline J.S. “Gayelord Hauser.” American National Biography. Oxford University Press,1998. Articles in Refereed Journals: Picart, Caroline J. S. “Trans-Nationalities, Bodies, and Power: Dancing Across Different Worlds,” Journal of Speculative Philosophy, forthcoming, Volume 22, #3, 2008. Picart, Caroline J. S., “Troping the Tropics: Reflections on Nietzsche's Geophilosophy and the Philippine Rice Terraces,” ACME: An International E-Journal for Critical Geographies, forthcoming, 2009. Picart, Caroline J.S. “Crime and the Gothic: Sexualizing Serial Killers,” Journal of Criminal Justice and Popular Culture, 13: 1 (Spring 2006): 1-18. Picart, C.J.S., "Beyond Good and Evil: The Black-White Divide in Critical Race Theory," Human Rights Review, forthcoming. Picart, C.J.S. "Media Star and Monster: Imelda Marcos," Women in Performance, 30:15 (2006): 99-117. Picart, C.J.S. "Of Nuns and Tanks, and Angels and Demons: the Marcoses and the People's Power Revolution," The Long Term View (Massachusetts School of Law Journal). 6 (Spring 2005): 70-85. Picart, C.J.S., "Rhetorically Constructing and Deconstructing Victimhood and Agency: The Violence Against Women Act's Civil Rights Clause," Rhetoric and Public Affairs, 6:1 (Spring, 2003): 97-126.
Picart, C.J.S. and Frank, D. "The Holocaust as Horror-Psychological Thriller Film: Working-Through Spielberg's Schindler's List," Film and History Annual CD ROM, published, 2003. Picart, C.J.S. "Humor and Horror in Science Fiction and Comedic Frankenstein Films," Scope, May 2004. Picart, C.J.S. and Greek, C. "The Compulsions of Serial Killers as Vampires: Toward a Gothic Criminology," Journal of Criminal Justice and Popular Culture, 10: 1, Winter 2003. Picart, C.J.S. and Gergen, K. and photos by Zullinger, C. "Dharma Dancing: Ballroom Dance and the Relational Order," Qualitative Inquiry, accepted and forthcoming, 10:6, December 2004. Picart, C.J.S. "Hybrid Genres and Inverse Parthenogenetic Myths: Horror and Humor in Alien Resurrection," Communication and Critical/Cultural Studies, 1.4, December 2004. Picart, C.J.S. and McKahan, J.G. "Sadomasochism, Sexual Torture, and the Holocaust Film: From Misogyny to Homoeroticism and Homophobia in Apt Pupil," Jump Cut, volume 45, September, 2002. Picart, Caroline J.S. "Dancing Through Different Worlds: Virtual Emotions and the Gendered Body in Ballroom Dance," Qualitative Inquiry, June, 2002. Picart, Caroline J.S. "Visualizing the Monstrous in Frankenstein Films," Pacific Coast Philology 35 (September 2000): 17-34.
Entry on Frankenstein Resource List 1 Picart, Caroline J. S. “James Whale’s (Mis)Reading of Mary Shelley’s Frankenstein,” Critical Studies in Mass Communication 15 (December, 1998): 382-404. Review: http://www.wsu.edu/~brians/science_fiction/sffilmbib.htm Picart, Caroline J.S., “Remembering Within Remembering in Husserl and Magritte,” Philosophy Today 41 (1997): 118-126. (Chosen as one of the ten best essays in the 1996 SPEP Conference) Review: http://www.springerlink.com/content/q3227054u5268516/... Picart, Caroline J. S. "Classical and Romantic Mythology in the (Re)Birthing of Zarathustra," Journal of Nietzsche Studies 12 (Autumn 1996): 40-68. Picart, Caroline J. S. "Nietzsche as Masked Romantic." Journal of Aesthetics and Art Criticism, 55 (1997): 273-292. Picart, Caroline J.S. "Blurring Boundaries: A Reply to Fadlon and Lewin-Epstein." (Invited reply). Social Studies of Science, 27 (1997): 142-146. Picart, Caroline J. S. "Metaphysics in Gaston Bachelard´s `Rêverie.´" Human Studies: A Journal for Philosophy and the Social Sciences, 20 (1997): 59-73. Picart, Caroline J. S. "Scientific Controversy as Farce: The Benveniste-Maddox Counter-Trials," Social Studies of Science 24 (1994): 7-37. Citation: http://72.14.209.104/search?q=cache:KBrfQQ-6BM0J:www.attw.org... Invited Articles: Picart, C.J.S., “Ripley as Interstitial Character: White Woman as Monster and Hero in Alien Resurrection. p.o.v., A Danish Journal of Film Studies, No. 16, December 2003, pp. 26-41. Scientific Articles: Keynes, R.J., Johnson, A.R., Picart, C.J., Dunin-Borkowski, O.M., and Cook, G.M.W. “A Growth Cone Collapsing Activity in Chicken Gray Matter.” Annals of the New York Academy of Sciences. Volume 633. Glial-Neuronal Interaction; Conference, Cambridge, England, U.K., September 4-7, 1990, XXII, 1991, 562. Keynes, R.J., Johnson, A.R., Picart, C.J., Dunin-Borkowski, O.M., and Cook, G.M.W. “A Glycoprotein Fraction from Adult Chicken Gray Matter Causes Collapse of CNS and PNS Growth Cones In Vitro.” 20th Annual Meeting of the Society for Neuroscience. St. Louis Missouri U.S.A. October 28-November 2, 1990. Society for Neuroscience Abstracts 16, 1 (1990): 169. Conference Proceedings: Picart, C.J. S. “Teaching and Technology Apprenticeships in Philosophy and the Humanities,” Conference Proceedings of the 19th International Conference on Technology and Education, Florida State University, May 2-5, 2001, forthcoming. Comments: kpicart@english.fsu.edu |