Current Forum: Session 7: Ideology, Gender and Sex	Read 8 times 	
Date: 26-Feb-2001 22:40:36	
Author: FIELD, KATHRYN L. <klf7188@garnet.acns.fsu.edu>	
Subject: Strawberry & Chocolate 	
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       In the film, Strawberry and Chocolate, each of the main characters (David, Diego and Nancy) are searching for love and companionship. They find it among each other. The mise-en-scene was an important aspect in the depiction of the three characters’ relationships. 
       The opening scene, featuring David and Vivian, is shot in low-key lighting. The setting is not typically suitable for lovemaking, for the room is bare and run-down with several holes in the walls. This feeling is evident with the high angle camera looking down upon the couple. In contrast to David’s relationship with Vivian, is the new love he finds for Nancy. The lighting, setting and even costumes portray a more comfortable feeling. Nancy’s apartment complex has a more romantic ambiance with lighted candles and even a bed with sheets and a bedspread. The viewer watches the couple from below, a low camera angle shot from the first floor. This 
idea of the spectator not being included in Nancy and David’s rendezvous gives the impression of approval of  the couple’s union. This is not seen at the beginning of the film  (with David and Vivian).
       David and Diego’s relationship begins on a harsh note. David at first being turned off by Diego’s sexual orientation, soon forms a close friendship with him. The two end up learning a lot from each other. While differing in sexual backgrounds, David and Diego’s scholarly ethics are evident in their residences. David’s small dorm room features a study area with books, his writings, etc. Diego’s apartment is full of many books, artwork and other collectibles. Much is learned about the men’s personalities through the mise-en-scene of each of their homes.